All Things Considered

With large scale paintings, Cynthia Fuhrer proposes a mythical framework for the depiction of human beings in the wild, connected and responsible to a diverse community of plant and animal inhabitants. The tropes of historical painting post-Renaissance through the Romantic period, and into 19th century Modernism provide the framework for the artist to picture a…

2021 Jun 12 – 2021 Aug 07

Cynthia Fuhrer: All Things Considered

Curated by Arin Fay

A child sits for a portrait. The setting is a barren, rocky landscape. Next to the child is an elk. The child’s hair is tangled in the elk’s antlers. They have matching tattoos. 

This progression from the mundane to the fantastic is the exploration of magical realism, a genre that Edmonton-born painter Cynthia Fuhrer is in full command of. Her newest exhibition, All Things Considered, features “Tangled Together”, described above, as well as “Crowned Prince”, which depicts a young boy standing next to a moose with gilded antlers, both facing the viewer with featureless expressions, while standing on a river made of a Persian rug; “Embroidered Hearts”, featuring a woman wearing a viking helmet, stitching a heart onto her chest using string that is attached to the heart of the deer standing next to her; and many more, each more intriguing and surprising than the last. 

“No being exists in isolation. We know now we are not separate from the natural world, we are intrinsically connected to it. We are constantly presented evidence of the world changing, protesting changes that we are causing,” Fuhrer explains in her artist statement. “The world is losing forests and animals at an alarming rate. Starving and displaced wildlife are an alarm, a wake up call, for a future in which we create a struggle for ourselves to survive. No matter how dressed up we are, we are biological creatures, and our environment effects our well being as it does the smallest of insects and largest of animals. If it effects one, it effects all.”

All Things Considered is the whimsical icebreaker to the oft-maligned conversation about conservation efforts, climate change and land use. It’s an enchanting reminder that while we may have lost sight of our connection to the natural world, that the connection exists nonetheless, and needs to be nurtured if there is to be anything left for the future generations depicted in the paintings. 

Cynthia Fuhrer

Cynthia Fuhrer was born in Edmonton and attended Grant MacEwan and the University of Alberta where she graduated with an MFA in painting in 2004. Since then, Fuhrer has remained involved in the arts community as a preparator, instructor and art facilitator with organizations such as the Art Gallery of Alberta, Harcourt House and the Nina Haggerty Centre for the Arts. Fuhrer’s most recent work explores issues of nature and sustainability and is inspired by her childhood experiences with wildlife. Her work is included in private and public art collections in Canada, the US and the UK. 

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